As far as art is concerned, Freedom is undeniable, especially when it comes to such issues as imagination and creativity. However, in explaining the problem of subject-object, theory and direct experience differs stage by stage under the predominantly historical-metaphysical structure of rationality, so that understanding is limited by rules and system. On the other hand, the coming up of art is not controlled by the structural thinking, and this scarce uncontrolled state is what philosophy needs to reflect. Just mentioning formal type of art without paying attention to this invaluable and undivided process makes no advance of our understanding of art.
In Derrida, the existing philosophical theories are shaken by strategies and practices of writing and opposition as well as division seems temporarily eliminated. The “side-effect” of duality and Derrida’s strategy becomes the most valuable product on practice; however, it is un-present like trace and neglected.
The discussion of art and force in this thesis starts neither from artistic from, nor does it follow style of operation manual, but from metaphor of art and internal experience. The multi-transformation of writing and reading reveals the working of metaphor and inscription in our experience.
Keywords: Derrida, writing, trace, inscription, metaphor, supplement, deconstruction